I am sure Declan Burke is right about "the recurring theme of paranoid conspiracy that has run like a seam through Alan Glynn’s work" and I will direct you to his excellent review of Paradime for a more nuanced look at the book and Glynn's work as a whole than I will attempt to give here. But what struck me in particular was its relationship to The Dark Fields, which was published here as Limitless and spawned both a movie and the recent TV series of the same name. I was surprised to learn or perhaps remember that The Dark Fields is actually an earlier work and the three books of the Globalization Trilogy (Winterland, Bloodland, and Graveland--read them) were written in between it and Paradime. This is because the protagonists of both The Dark Fields and Paradime seem to be kindred spirits.
Paradime is not a reworking of the earlier story. Danny Lynch faces a different situation than Eddie Spinola. Spinola's catalyst for self-exploration was a performance enhancing drug, while Lynch's is having a chance to 'become' his doppelgänger. What is similar and striking, though, are both the conditions from which these characters emerge and those to which they aspire. Both books tell of modern day rites of passage for men who for reasons both personal and political have previously failed to complete them.
In his review of The Dark Fields, Burke describes Eddie Spinola as someone who goes from being a "dysfunctional bottom-feeder to master of the financial universe in just a few months." This holds equally true for Danny Lynch. Both novels are set largely in New York City, which Glynn, an Irishman, had the opportunity to observe for a period of several years. Perhaps as a non-native, he can view Gotham with greater perspicacity, while we Americans simply take its way of operating for granted. In any case, things have grown grimmer since The Dark Fields--the kind of bottom feeding available to Danny is even less nourishing than it was for Eddie. While Eddie worked in a nongratifying area of copyediting, Danny is suffering from PTSD and, on the outs with the very dicey Gideon Logisitics, he's very soon going to have no money at all. Both men respond to a siren call and quickly find themselves alone in extremely dubious moral circumstances.
What's interesting to me is not so much that both men fall for the lure, but that they fall for it so easily. At the start of their stories, they are already on shaky moral ground. What they lack most specifically, I think, is any real capacity for discernment. I'm not someone who'd be likely to sing "Give Me That Old Time Religion" or promote a return to family values, but these are essentially deracinated young men, more than ripe for any suggestion that seems to give them access to the powerful world they see all around them but have almost no hope of gaining. One of the more disturbing things about these books is that neither Danny or Eddie seem all that unusual. In fact either one might be a kind of everyman of our times.
My review of The Dark Fields is HERE. I seem to have had more to say about it than I remembered.