Well, this is definitely not new, but I will still post here about it. I am currently reading The Once and Future King by T.H. White for my book group. This is one of those books that, one way and another, I thought I'd already done. I haven't. I may have read The Sword and the Stone-- in fact I'm sure I did, because it's familiar, and not just from the Disney movie of the same name. But I don't think I went on to the rest of the saga, though of course I did see Camelot, as everyone else of my era did. I just didn't know that the musical/movie was based on the work of White. The book, or actually four books, start out lightly and get progressively darker. I am very curious about where White was in all this. It takes awhile to write a four volume work, and White was writing this as Hitler was steadily overwhelming Western Europe.
I was surprised and delighted to find that the members of my book group were all quite taken with this work. I thought its fantasy element, especially in the beginning, might work against it. But no--they've agreed to stretch it out over a two month period so that we can all finish it.
I was listening to a podcast of a Q and A with Salman Rushdie today. He mentioned how the Orpheus/Euridice myth, which can be summarized in a paragraph, has a kind of nuclear reaction intensity, which is set off in hundreds of volumes of subsequent exposition, and I think the Arthur/Guenivere/Lancelot triangle has a similar explosive capacity. It has not been fully mined by White nor can it be fully exploited by anyone. It is our material, we westerners. I'm wondering what angle a post millennial writer might look at...because the book clearly states that both Arthur and Merlin are supposed to come back.
Bond Behind the Iron Curtain: Guest post by James Fleming - In recent months, I've enjoyed a very pleasant correspondence with James Fleming, nephew of Ian and himself an author of note as well as editor of *The ...
15 hours ago